They say about us

The Elegance in Brunello

Olga Peluso Centolani – known as Donna Olga by wine lovers and Lady O by her more jesting colleagues – knows something about this. At the age of twelve, Olga bought a bottle of fine wine in Burgundy as a gift for her father. A gift that risked costing her a lot! “For a child it was a bit of an overstated gift, I recognise that,” she says, “but I wanted it so much, so I bought it, ran out of money and in order to be able to afford the train ticket home, my friends passed around a hat.”
Blessed youth or a sign of the future that awaited her? The fact is that in the meantime, the girl with origins from Naples on her father’s side and Ferrara on her mother’s, has honed her passion for high-quality wine over the decades spent in contact with world-famous agronomists and oenologists. She then chose Tuscany as her heartland, taking on the responsibility of managing the entire production cycle from the vineyard to the wine of the family estates and became a leading entrepreneur of Brunello di Montalcino, one of the most loved and appreciated Italian wines around the world. But of Burgundy, she has never forgotten the concept of terroir and even more that of Cru, on which she has based the choice of distinguishing the production philosophies of her two estates.

The first is the Donna Olga Vineyard in the south-west of Montalcino, with its vineyards sloping from 450 to 200 metres, being cool, ventilated and able to offer up a Brunello with excellent structure that is also austere and long-lived, as befits a traditional Brunello. Then there is the Pietranera Estate on the south-eastern side, with sunlit vineyards on a plain protected by Monte Amiata, home to Brunellos that are warm and full-bodied, fruity and composite.
Their story began in the 1980s, when the Peluso Centolani family approached the wine business by purchasing an old estate with vineyards in Montalcino.

How did the decision to invest in the wine sector come about and what are the sentimental, as well as economic, reasons that have guided your family all these years?
“When my family bought the Friggiali Estate, there were only four hectares of old vineyards. My father, a hunter, had been struck by the woods and wanted to turn that corner of the Tuscan countryside – located in a rather historic area of Montalcino, very cold in winter and windy the rest of the year – into a buen retiro when he retired. The charm of the place is undeniable. The area is much admired for its indescribable views, even today the mayor often tells me, ‘You have paradise under your feet’. But for me, those four hectares of vines were the flame that ignited a passion I’ve always had, ever since I was a child, fuelled by the family’s habit of tasting good wine and by my studies in Burgundy. On the wave of this passion, we planted another 15 hectares of vines and only later, in the 1990s, did we add an additional 20 hectares of Brunello land in the Pietranera Estate, the second. All this is to say that we made our start from scratch, beginning with four hectares of old vines, putting in hard work and our passion for this sector, to today have the Friggiali and Pietranera Estates, 42 hectares of vineyards registered for Brunello from which come the wines of the same name that are now known all over the world.”

How much did the land – with its centuries-old tradition, the still-lively dialectic between owner and farmer – influence the direction of the estates’ production?
“The territory and its traditions were fundamental. When I chose to dedicate my life to Montalcino and Brunello, deciding to invest in the quality of the wine, we realised that the only real possibility of establishing ourselves on the market was to produce a classic, traditional Brunello, cultivated according to the methods of the farmers of the time. In thirty years, of course, cellar equipment and certain winemaking techniques have evolved but from the point of view of viticulture, what I was taught back then remains in first place. Good wine is made in the vineyard – the cellar only preserves the quality but it is the grapes, the analysis of the chemical components of the soil and polyphenols, the pH and acidity that make all the difference. I am not for the modernisation of single-vineyard wines, otherwise they would resemble other blended wines and the taste would be flattened out. For me, each wine produced is like a human being to whom I give care and attention calibrated to the needs of the individual personality. Progress will come when nature and man truly intersect.”

How would you describe your wines if you had to present them as men in the flesh?
“The Brunello di Montalcino Tenuta Friggiali is austere but also generous. The Brunello Pietranera is more of a muscular young man who needs time to acquire the classic elegance of a seasoned gentleman. The Brunello di Montalcino Tenuta Donna Olga is a bit of a separate case because it comes from recently-restored vineyards and is thus a budding promise that needs time and training to be evaluated.”
Your wines have received significant journalistic awards. The Brunello di Montalcino Tenuta Friggiali was named Best Italian Wine of 2012 by the English magazine Decanter and was awarded 3 glasses by Gambero Rosso, whilst the Brunello di Montalcino Pietranera was granted 94 points and the Poggiotondo 93 points by Wine Spectator.

Which awards do you value most?
“The recognition I most value is that of the people who recognise me through my wines and come to visit me after years at our estates. Once in England, stopped on the side of the road thanks to a broken-down car, I was helped by a couple who recognised me because they had drunk my wine and remembered my name and face. An extraordinary event, certainly, but also a sign of how consumers recognise quality products and producers.”

Your wines are mostly sold abroad, in North America. What are the market trends internationally?
“When I arrived in Montalcino, the market was very much tied to traditional Brunello. Then there came a time when there was a demand for slightly more standardised wines because the consumer was not sufficiently informed. With the flow of intelligent tourism in Italian wine-growing areas that has characterised the last few years, however, people are once again looking to local wines. Internationally, the markets have realigned themselves to the offer of traditional wines, which respect the terroir without renouncing the completeness of the wine. A traditional wine is not a rustic wine but one that is expressive of its terroir. A Brunello is a great wine more due to its capacity for extensive ageing than for its structure, which is still there. The Brunello has body on its side, yes, but above it has all the ability to age, which is rare in the wines of the world.”

As a member of the National Association Le Donne del Vino, can you explain what role women are carving out for themselves in the wine market, both on the producer and consumer sides?
“Without discriminating against men, I would say that women in this sector have a big advantage because they are much more sensitive and interested in the olfactory component, they know how to appreciate not only the taste, structure and body of wine but also its aromas. Not only businesswomen and wine enthusiasts, female consumers also particularly appreciate the olfactory component of a good wine, demonstrating a more complete tasting style.”

Alessia Cotroneo, Il Gusto

Donna Olga

The Feminine Side of Brunello

In Montalcino, the Centolani winery produces a range of reds that reflect the nuances of the terroir. And the personality of the owner, Olga Peluso.

Being a woman in the world of wine is never that easy. The male gender, above all, rages and dominates. However, for some time now, women have started to have valuable representatives, who certainly do not look down on their male colleagues. Olga Peluso, a Neapolitan transplanted into the vineyards of Montalcino, is certainly one of the best managers in the industry. With determination and entrepreneurial flair, Olga runs the company that her father entrusted to her more than 15 years ago, a job balanced with her role as mother of two splendid children.
It is not easy but perhaps only a woman can fully understand what such a commitment means. What’s more, the Centolani winery – as Olga’s estate is called – is divided into several cultivations. There is the Donna Olga Vineyard located on the south-western side of the Brunello production area, not far from Montalcino. This area is known for producing great, balanced reds suitable for ageing. Then there is the Pietranera vineyard in Castelnuovo dell’Abate in the south-eastern part of the DOCG area. And from there come richer and more powerful wines, as is the case for both the Brunello and Rosso di Montalcino. Lastly, there is the Donna Olga line, again Brunello and Rosso, obtained from expert selections made by Olga herself along with her consultant Riccardo Cotarella, one of the most famous names in Italian oenology. All this goes to make up a range of wines of the highest level that respect the territories and sub-zones, so that the Sangiovese grapes from which the various wines derive may exalt the differences that the various soils and microclimates induce and favour.

(Daniele Cernilli – Case & Country)

Olga Peluso Est Une Vraie Tornade

Napolitaine, transplantée à Montalcino depuis plus de vingt ans pour s’occuper du domaine de son père Giovanni (200 hectares, entre oliveraies, vignes, champs Met bois), elle s’est tellement passionnée pour le monde des vins qu’elle est maintenant l’un des principaux acteurs de l’univers du Brunello.

Et de Brunello elle en fait beaucoup, sur les 20 hectares de la «Tenuta Friggiali», l’un des domaines dominant ce terroir d’exception. On trouve ensuite le Pietranera, qui provient quant à lui du sud-est de la zone AOC, produit sur des parcelles plus basses et plus chaudes. Elle propose aussi les petites sélections de Donna Olga, dont elle s’occupe personnellement avec beaucoup d’attention. Depuis quelques temps, à côté des prestigieux rouges toscans, on voit s’affirmer quelques blancs et des rosésc, avec des débuts prometteurs. Le résultat final est une gamme de vins très intéressante et variée.

(Daniele Cernilli, Marco Sabellico -Top Italian Wines Road Show 2010 Gambero Rosso)

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Oggi parliamo di Brunello di Montalcino, un grande vino fra i più noti e apprezzati in Italia e nel mondo. È un vino davvero speciale, frutto di una combinazione unica fra diversi elementi. Il primo è l’uva. Il brunello, che dà al vino la prima parte del suo nome. Che in realtà non è altro che sangiovese, l’uva nera più diffusa nei vigneti italiani. Un tempo si pensava che il brunello fosse una particolare variante di sangiovese, chiamata “sangiovese grosso” per i suoi acini più grandi del normale. Oggi però è accertato che brunello è semplicemente un nome locale del sangiovese. Molto più importante delle caratteristiche genetiche dell’uva, è il luogo. 

Che Montalcino sia un posto speciale lo si capisce vedendolo. I panorami di questo angolo della provincia di Siena sono indimenticabili. La collocazione e la conformazione del terreno danno a Montalcino un clima più caldo e più secco rispetto alle altre grandi zone vinicole della Toscana, con brezze notturne che puliscono l’aria e producono le ampie escursioni di temperatura che aiutano le viti a concentrare aromi negli acini. Ma i vigneti non sono tutti uguali. Cambia l’altitudine, che va da 150 a 500 metri sul livello del mare. Cambia la composizione del terreno. Cambia l’esposizione, e quindi la quantità di sole che ricevono le viti. E due vini fatti con le uve di vigneti a poche centinaia di metri uno dall’altro possono essere diversissimi fra loro. E in più c’è l’intervento umano. Il disciplinare di produzione della Denominazione di origine controllata e garantita stabilisce che il Brunello di Montalcino può uscire dalla cantina solo dal quinto anno dopo la vendemmia, con un affinamento in botti di rovere di almeno due anni. 

Perciò ciascun produttore può imbottigliare il vino dopo i due anni minimi, ma anche lasciarlo nelle botti per tre o quattro anni. E può usare le botti tradizionali di grandi dimensioni oppure le piccole barrique. O una combinazione delle due. Terreni, microclimi, vinificazione, affinamento: sono tutte variabili che contribuiscono a fare di ogni Brunello di Montalcino un vino a sé. Ci sono Brunello più potenti e profumati e altri che puntano più sull’eleganza e l’equilibrio. In alcuni sentiamo tutta forza dei tannini dell’uva, altri sono ammorbiditi dall’affinamento in botti piccole. Poi ci sono Brunello come il “Donna Olga” 2006 che racchiudono un po’ tutte queste qualità insieme. Forza, eleganza, freschezza, sono in un equilibrio che incanta, così come sono incantevoli i profumi, dai fiori al tabacco, passando per frutti e sottobosco… Che vi posso dire. Sarà anche che sento nel vino il tocco femminile della produttrice, Olga Peluso Centolani, ma di Donna Olga mi sono innamorato.

(Flavio Grassi – Un Brunello di Montalcino che Incanta)

Ageing in Barrels

The objective of ageing in barrels is to allow the wines that so deserve to acquire a potential of harmonious ageing in bottles. During this period of at least two years and half, respectful of the “Brunello di Montalcino disciplinare di produzione”, a certain number of physico-chemical transformations occur naturally, which lead to a perfect transparency and a better wine stability, as well as a refinement of its organoleptic character.

Nowadays, the barreling is effected as early as possible after the completion of the fermentations, towards the end of October or the beginning of November. It almost always takes place in new or medium aged, slavonian oak barrels, of which the aromatic finesse and the delicate tannins have a natural complicity with our wines. The temperature and humidity conditions that are prevalent in the cellar follow more or less the rhythm of the seasons: the winter cold favours the precipitation of the unstable components, therefore the stability of the wines, whereas the moderate highs of the summer temperatures speed up the chemical reactions and allow the wine to evolve both in finesse and sweetness.

Press Wine

At the end of the running off, when the free-run wine has been put into vats, or already into barrels and is waiting to start its malolactic fermentation, the grape skins that form the marc are extracted from the vat and pressed, so as to produce the press wine. It’s a very delicate operation that we do with a lot of care because the future success of the blending depends in part on the success of the press wine.

When the marc hasn’t been exhausted during the vinification through excessive extraction, it’s capable of producing by pressing, a rich, powerful, very tannic but well-balanced, bold, with a long finish, sweet and fleshy wine. Such a press wine can only improve the blending, because it brings strength, structure and length, without upsetting the subtle harmony that the addition of the better free-run wines build spontaneously.

It’s firstly the gentle manipulation of the marc that makes it possible to obtain press wines; as in times gone by their transfer from the vat to the press is manual, in order to avoid any form of crushing. But, the real quality is naturally in the press. Modern technology allows both a gentle and deep pressing and also rigorous selection according to the pressure levels. And so comes the last and decisive phase of the process: all the barrels of press wine are tasted, one by one, after a few days and blended according to their respective quality.

Bottling​

After two to three years ageing in Slavonian oak barrels from thirty to sixty hectoliters, and one year in bottle before being released on the market (as established by the Disciplinare di Produzione of the Brunello di Montalcino DOCG), it’s in bottles that our wine will spend the rest of its life.

It will experience the vagaries and the fatigue of travel before finding the tranquility of the bottom of a cellar and ending its days in the hands of a wine enthusiast or connoisseur. Ten, twenty, thirty years, sometimes a lot more, will have passed. Time doesn’t frighten it. But it’s important to take the greatest care with the conditions for the bottling process, starting with the wise choice of date.

At the end of its ageing process, the wine has “matured”: its aromas have lost a little freshness but have gained a lot in complexity, its tannins have become more rounded and softer, it has acquired a somehow indefinable ripeness that can only be recognised by the experience of those who love it. Elegance is the ultimate aim.

Running Off

During the vinification of the red grapes the fermentation is accompanied by the extraction from the must, of a great number of components from the skin and pips. This maceration extends for several days after the end of fermentation, up to the running off; which is in fact the separation of the wine from the solids (all the solid parts of the grapes) by pumping.

The running off also ends the very complex process of dissolving the parts of the grapes in the wine. Of course the result depends primarily on the quality of the grapes: only very good grapes have the potential to being transformed into a great wine. When the vintage is more difficult, generally because of lack of ripeness in the grapes, there is a big risk of extracting bad flavours particularly vegetal aromas, as well as rustic and bitter tannins. This is why meticulous checking of a maceration is essential. Only regular tasting enables us to appreciate the wine’s slow acquisition of its aromatic complexity, of its richness and tannic finesse and to detect the moment where this semblance of bitterness risks appearing; this point of astringence indicates the need for the running off.

Fermentation

It’s the alcoholic fermentation that is responsible for the transformation of grape juice into wine. This spontaneous phenomenon was empirically mastered well before being scientifically explained by Louis Pasteur in the 19th century.

The biochemical transformations brought into play by fermentation are multiple and complex. That’s why this process should be carried out in the best possible conditions. The fermentation takes place in steel vats and/or in small barrells: it depends on the researches led year by year by our wine making team.

After numerous experiments, it turned out that the temperature control by the most advanced technology available today is equally as good in wood as in the stainless steel vats. Therefore, Donna Olga has kept its wooden vats along with new stainless steel vats for the vinification of the red grapes, because the wooden vats offer numerous advantages. Their tapered shape and their thermal inertia favour the concept of extraction by creating a stronger contact between the must and the grape skins, where the wine draws its colour and body from. This closer maceration makes the wines both richer and softer, which better express the extraordinary potential of our wines as well as our own conception of taste.

In order to compare all existing techniques, our wine cellars team carries out a great number of tests in an experimental vat room. These tests have already enabled us to build a new vat room for vinification whilst improving our methods of ageing in barrels.

This process is undertaken under rigorous temperature monitoring so as to avoid the heat produced by the fermentation hampering and finishing by killing the yeasts that are responsible for it. Equally, by pumping the must from the bottom to the top of the vat, this favours the dissolution of the composition of the grapes, as well as the small amounts of oxygen required for the metabolism of the yeasts. The more recent use of selected strains of yeast enables certain difficult vintages to avoid a languid fermentation.

Once the alcoholic fermentation is finished the maceration continues until the running off: the wines are almost “finished” at this point. But so that they are completely stable, a last biochemical transformation has to be accomplished: the fermentation by bacteria of malic and lactic acids.

Manure

The objective of manure is to bring to the vine the nutrition that it needs, without excess that would increase the vigour to the detriment of the quality and in respect to the environment.

A manuring process known as “concimazione di fondo” can also sometimes be applied as a preamble to a new plantation. Its objective is to restore structure and life to the soil. In all cases, we only use organic fertilisers that integrate naturally into the environment. A large part of this is brought in the form of bovine manure, from the cows of Val di Chiana region.

Ripening

The acquisition of the grapes in a perfect state of ripeness is the precondition for producing a great wine; consequently, all our winegrowing practices are directed toward this objective. But by far and away the most important factor is the terroir: it’s their aptitude to enable the wine varietal to ripen well that distinguishes the greatest growths. To enable a grape to ripen “well” is to ensure that its components, that is to say sugar, acidity, aromas and tannins, evolve together at the same pace. In Montalcino region, we’re lucky enough to enjoy a temperate climate and a moderately rich soil, allowing the vines to accompany the grapes in this effort to create the perfect balance.

Harvest

At the end of the year’s work comes, at last, harvest time. Everything is finished, or nearly finished: ripening is completing “August develops the must”, the great balances are happening, or not, in the grapes.

However, a bit of suspense remains, because it’s in these last days that a good vintage still has a chance of becoming great. First, we have to choose the date, examine the grapes and analyse them, squeeze them, feel under our fingers and our tongue the softness of the pulp and the firmness of the tannins; ignore the big clouds rolling around in the sky in order to gain several more days and allow the Sangiovese to finally reach perfect ripeness. In the meantime, we’ve formed our two hundred pickers into five teams, each made up of wine growers, and a majority of young students, who, instead of experience, bring us their willingness and their good humour. The pickers, more than half of whom come back year after year, receive training.

Trellising

The very high density of the plantation in our vineyard (6,600 plants per hectare) would lead very quickly to an impossible tangling of the branches if we didn’t provide a good trellising. Primary objectives are to allow free circulation between the rows, on foot or by tractor, and to maximize the exposure of the clusters to the sun, a factor so necessary to their optimal ripening.

The trellising consists of two successive steps: first, lifting of the branches. That is done thanks to a set of mobile wires that we pick up as and when the vine grows. Then the cutting, or “topping”, of the tips of the branches, carried out mechanically by a piece of equipment on the overhead clearance tractors.

Thinnings

We are proud to practise thinning, which consists of removing a certain number of clusters before the start of the ripening period. In most of the young vines, the harvest in practice is too abundant to produce a quality wine; by reducing them at their mid-term, that is to say just before they change colour about the beginning of August, we encourage the ripening of the other clusters left on the vine, without increasing the vigour of the plant.

This technique also allows us to select the best clusters and to eliminate those that are badly placed on the vine, or that are already late compared to the others. It is work that is really meticulous and differs for each vine, grape by grape, which gives a good idea of the increasingly precise and rigorous attention given to the care of the vineyard.

The yield from the vines, expressed by their production (kilos of grapes or hectolitres of wine) is a key factor in the quality of the grapes. Too abundant a harvest never ripens because the vines become exhausted for no other reason than trying to feed too many clusters at once. In order to protect the quality of the wine and the longevity of the vines, the Brunello di Montalcino appellation has fixed a limit that is in general the most restrictive in Italy.

Protection of the vines

Obtaining grapes that are ripe enough presupposes a perfect control of the phyto-sanitary condition of the vineyard. Mildew, powdery mildew, black-rot, excoriation, almost all fungal diseases, with the notable exception of the wood diseases, mal dell’esca, are now well controlled, after decades of researches of more sustainable methods of cultivation.

The case of grey rot (Botrytis cinerea) is certainly more delicate, but the low instance of vigour in our vines and their traditional behaviour create rather unfavourable conditions for the development of this disease.
The problem presented by parasites, insects and spiders is complex in a different way. In the nineteen eighties we questioned all of our vineyard protection policy with the objective of finding an alternative method to chemicals to preserve the balance of the spider and insect populations. After a few years of work, we were able to stabilise the situation. Since then, all these populations cohabit and autoregulate themselves without us having to take any action, or only in an organic way. At the end of the nineteen nineties, sexual confusion was developed in order to stop the grape worms reproducing. Not one insecticide is now used in our vineyards, SIAMO BIOLOGICI!

Ploughing

Donna Olga intentionally keep traditional the work of the land, although a great part of it is carried out by high-clearance tractors and equipment that is of ever-increasing efficiency.

Our four ways of ploughing: surfacing and desurfacing, surfacing, desurfacing rhythmically throughout the farming year is done in an almost unchanging way. It’s true that our soils, generally light and well-structured thanks to regular addition of manure, lend themselves well to this superficial work.

Pruning

Pruning, the “potatura secca” is essential to ensure the production quality and the longevity of the plots. Indeed, the number of buds per plant determines the delicate balance of the vigour; pruning that leaves too many buds leads to a harvest that is too abundant and unable to ripen sufficiently.

Conversely, pruning that is too severe leaves vines that are too vigorous, encouraging excessive growth to the detriment of the maturity of the grapes.
There is, not only for each plot, but for each grape variety, an optimal balance that only winegrowers understand with experience.

Winter pruning extends into the spring by a green pruning, the “potatura verde”, and bud-thinning. This means avoiding a build-up of vegetation that is harmful to the exposure of future grape clusters to the sun and as well to concentrating the nutrients produced by the leaves towards the branches that support the grapes, which encourages ripening. Lastly, bud-thinning enables the winegrowers to select future branches for thinning in advance.

Planting

Great wines are always produced from vines that are at least twenty years old. So the main objective of our wine-growing practices is to maintain the old vines in production for as long as possible, but when vines become too old, the best is to replace the plants, one by one. This is called “complantation”. This practice, as old as the vineyard, occupies all our winegrowers for two months just after the winter pruning.

The complants themselves have a limited life expectancy… At the end of the day, it’s the whole plot that expires. So we then have to carry out a complete renewal. What a sacrifice! First, we have to pull up all the vine stocks and then let the soil rest for six years. Finally, we replant it and wait until these new vines grow and age in order to produce great wine.

Wine Dinner with the Owner in the Private Villa

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